Garba is a ritualistic and devotional dance that is performed on the occasion of the Hindu festival of Navaratri, which is dedicated to the worship of feminine energy or ‘Shakti’. The dance takes place around a perforated earthenware pot lit with an oil lamp, or an image of the mother goddess Amba. The dancers move around the centre in a counter-clockwise circle, using simple movements while singing and clapping their hands in unison. Starting with slow circular movements, the tempo slowly builds up to a frenzied whirling. The practitioners and bearers of Garba are broad and inclusive, from the dancers to the musicians, social groups, craftspeople and religious figures involved in the festivities and preparations. Garba is transmitted across generations in urban and rural areas through practice, performance, imitation, and observation. Many schools and universities offer professional courses and workshops in dance, music, costume and ornament design, landscape planning, sound and light design, all of which contribute to Garba creations. The practice is also transmitted by NGOs, government agencies, choreographers, musicians and the media. Garba fosters social equality by diluting socio-economic, gender and religious structures. It continues to be inclusive of diverse and marginalized communities, thus strengthening social bonds.
Garba is a traditional Indian dance form originating from Gujarat, primarily performed during festivals and special occasions. It is characterized by a circular dance pattern and sweeping side-to-side movements. Accompanied by singing and musical instruments such as the dhol and dholak, Garba often involves handclapping and the use of metallic musical instruments like cymbals.
The term "Garba" is derived from the Sanskrit word "Garbha," meaning womb. Historically, Garba marked significant life events for women, such as their first menstrual cycle and imminent marriage. It is most prominently performed during the nine-day Navratri festival, held annually in September or October. While women are the main performers, men also participate in garba. The dancers traditionally circle an image of the goddess Amba, an illuminated clay pot, or a water-filled vessel, starting slowly and gradually increasing in speed.
Garba celebrates fertility, honours womanhood, and pays respect to the nine forms of the mother goddess. The dance form has spread beyond Gujarat, gaining popularity in various parts of India and among Hindu communities worldwide.
Garba performers adorn themselves in vibrant costumes and ornate jewelry, including earrings, bangles, and necklaces. Men traditionally wear kafni pyjamas paired with a short, round kurta known as kediyu, and a pagadi (turban) on their heads. Women’s Garba attire includes a variety of styles, such as cotton chaniya cholis, lehengas, and ghagra choli dresses, reflecting the rich cultural heritage of the dance.
Garba as a Cultural and Social Event
Garba is not only a dance but also a religious and social event rooted in the villages of Gujarat, where it has been performed in communal spaces. It embodies the essence of community participation, with people from various classes, castes, and genders coming together to celebrate unity and devotion.
Garba is rich in symbolism, celebrating the feminine divine and the cyclical nature of life. The clay lantern called Garbha Deep, around which garba is performed, symbolises the body within which the divine resides. The circle formation of the dance represents the Hindu concept of time as cyclical, encompassing birth, life, death, and rebirth. The goddess, an unmoving symbol at the center, represents the constancy in the ever-changing universe.
Garba is performed barefoot, signifying respect for the earth, the sacred mother. The practice connects dancers to the generative powers of the earth, as the foot is seen as the conduit through which vital energy flows.
This beloved dance form, deeply rooted in rural Gujarat, has transcended its religious origins to become a celebration of cultural unity, social cohesion, and spiritual expression.
© Utpala Desai, India, 2017
© Utpala Desai, India, 2017
© Utpala Desai, India, 2017
© Utpala Desai, India, 2017