Government of IndiaChitra pata sangeet
Author: Ranade, Ashok D.
Keywords: Motion picture music
Film music
Issue Date: 2007
Publisher: Sangeet Natak Akademi, New Delhi
Description: To judge cinema, music it is necessary to go out of the immediate frame of reference. The living cinematic experience is to be linked to abstract philosophical notions a swellas to preceding avatars that had the same or similar sensory packaging, leading to perhaps similar audio-visual experiences. India certainly enjoyed this luxury in its long cultural march. The larger framework of human audio-visual experience. Relevant cultural practices in India, and finally the specific phenomenon of Indian cinematic music therefore demand a connected examination. Going through this paper examined the some points to describe it briefly.
Source: Sangeet Natak Akademi
Type: Article
Received From: Sangeet Natak Akademi
| DC Field | Value |
| dc.contributor.author | Ranade, Ashok D. |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-14T01:01:50Z |
| dc.date.available | 2017-07-14T01:01:50Z |
| dc.date.issued | 2007 |
| dc.description.abstract | To judge cinema, music it is necessary to go out of the immediate frame of reference. The living cinematic experience is to be linked to abstract philosophical notions a swellas to preceding avatars that had the same or similar sensory packaging, leading to perhaps similar audio-visual experiences. India certainly enjoyed this luxury in its long cultural march. The larger framework of human audio-visual experience. Relevant cultural practices in India, and finally the specific phenomenon of Indian cinematic music therefore demand a connected examination. Going through this paper examined the some points to describe it briefly. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 29-40 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Motion picture music Film music |
| dc.type | Article |
| dc.identifier.issuenumber | 1 |
| dc.identifier.volumenumber | 41 |
| dc.format.medium | text |
| DC Field | Value |
| dc.contributor.author | Ranade, Ashok D. |
| dc.coverage.spatial | India |
| dc.date.accessioned | 2017-07-14T01:01:50Z |
| dc.date.available | 2017-07-14T01:01:50Z |
| dc.date.issued | 2007 |
| dc.description.abstract | To judge cinema, music it is necessary to go out of the immediate frame of reference. The living cinematic experience is to be linked to abstract philosophical notions a swellas to preceding avatars that had the same or similar sensory packaging, leading to perhaps similar audio-visual experiences. India certainly enjoyed this luxury in its long cultural march. The larger framework of human audio-visual experience. Relevant cultural practices in India, and finally the specific phenomenon of Indian cinematic music therefore demand a connected examination. Going through this paper examined the some points to describe it briefly. |
| dc.source | Sangeet Natak Akademi |
| dc.format.extent | 29-40 p. |
| dc.format.mimetype | application/pdf |
| dc.language.iso | en |
| dc.publisher | Sangeet Natak Akademi, New Delhi |
| dc.subject | Motion picture music Film music |
| dc.type | Article |
| dc.identifier.issuenumber | 1 |
| dc.identifier.volumenumber | 41 |
| dc.format.medium | text |
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